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Alder, Budd & Seel 1Back to Nature: Examining the Potential for Degrowth at Emily Carr University of Art & Design Sam Alder, Connor Budd & Karsen Seel Emily Carr University of Art & Design SOCS-309-F002 December 11, 2019
SAlderCBuddKSeel_SOCS309_BacktoNature(FinalPaper).pdf
Karsen Seel SAlderCBuddKSeel_SOCS309_BacktoNature(FinalPaper).pdf
Chapter One Moss and Oz "save the galaxy"written byRiver Griffin KeroAddressPhoneE-mail
Moss and Oz "Save the Galaxy" Chapter One
River Kero Moss and Oz "Save the Galaxy" Chapter One
Ecotourism Practised by Host Communities and Authorities in Iran: Conservation or Destruction Ecotourism Practised by Host Communities and Authorities in Iran: Conservation or Destruction Sanaz Tasougi Azar International Graduate Study Preparation Program (IGSPP) University of British Columbia, Canada
Research paper_Sanaz Tasougi Azar.pdf
Sanaz Tasougi Azar Research paper_Sanaz Tasougi Azar.pdf
George Weston 92914 26th November 2019 The Sheltering Sky through Sartre’s Nausea and Bertolucci’s Visual Translation of Existentialism “I don’t know.” Paul Bowles’ Port Moresby in The Sheltering Sky and Jean-Paul Sartre’s Antoine Roquentin in Nausea both use this simplistic phrase in response to their philosophical confusion regarding identity, self-awareness, time, the relevance of progress, love, and death (Bowles 40, Sartre 11). The three-word quote summarizes the protagonists’ states of c
Sheltering Sky and Nausea proposal.docx
George Weston Sheltering Sky and Nausea proposal.docx
George Weston 92914 Kelly Lycan 30nd October 2019 Proposal for Durability In the past year, my artistic practise has developed towards a focus on trauma, and sexual abuse specifically. This decision was due to my frustration at the ignorance and silence surrounding the issue - I had never heard anyone discuss male-on-male rape in a non-humorous context. My ambition is not only to raise awareness and instigate constructive conversation, but also to represent for those lesser privileged than I,
Proposal for Installation: Durability
George Weston Proposal for Installation: Durability
George Weston 92914 12nd November 2019 Exhibition Review of: Those Who Wait, Sreshta Rit Premnath, Contemporary Art Gallery For his first solo show in Canada, Premnath alters and improves an installation from earlier this year – Those Who Wait. Upon entering the Contemporary Art Gallery, the viewer is confronted by numerous metal fences, dividing the space and directing where people should walk. Sprawled around the structures are nine abstracted human bodies made from plaster-soaked foam. Some
Review of: Those Who Wait, Sreshta Rit Premnath, Contemporary Art Gallery
George Weston Review of: Those Who Wait, Sreshta Rit Premnath, Contemporary Art Gallery
George Weston 92914 Patrik Andersson Art History 304 10th December 2019 Final Exam 1. In her essay “Revolutions forms that turn: the impulse to revolt”, Carolyn Christov-Bakargiev makes the argument that public group exhibitions such as biennales and public art projects in general, are “often unattractive to many radical artists.” What does she mean by this? What is her argument, and do you agree? Please use examples of art to illustrate your answer. In her biennale catalogue essay ‘Revolutio
Questions regarding International Group Exhibitions, and Relational Aesthetics vs. Antagonism
George Weston Questions regarding International Group Exhibitions, and Relational Aesthetics vs. Antagonism
George Weston 92914 3rd December 2019 1 Techne Exhibition Catalogue Essay at Belkin Art Gallery Since as early as the 1970s, visual artists have been drawn to artificial intelligence as a source of creativity, with results ranging from automatically generated Op Art to kinetic sculptures with responsive algorithms that alter from viewer to viewer (Wilson 15, 18). Whilst this early AI art forces the rethinking of humanity’s fundamental position in the creative process – is intellectual creativi
Techne Exhibition Catalogue Essay
George Weston Techne Exhibition Catalogue Essay
           The Hijacked Nicomachus  By River Kero                        River Kero riverkero@gmail.com 
The Hijacked Nicomachus - Television Pilot
River Kero The Hijacked Nicomachus - Television Pilot
Monsoon Chapter 2written byRiver KeroRiver Kero2509578274riverkero@gmail.com
Monsoon Chapter 2
River Kero Monsoon Chapter 2
George Weston 20 March 2019 1 The Post-War Necessity of The Void and the Importance of Yves Klein’s “Priming” of the Viewer Marcel Duchamp’s ‘The Creative Act’ from 1957 uses the term “art coefficient” to refer to the conflicting relationship between ‘raw art’ before an analysis within an art discourse, and the subsequent unintended meaning given by the audience, detached from the artist’s ambitions (12). The “unintentionally expressed” aspects of art interested Duchamp, resulting in the birth
The Post-War Necessity of The Void and the Importance of Yves Klein’s “Priming” of the Viewer
George Weston The Post-War Necessity of The Void and the Importance of Yves Klein’s “Priming” of the Viewer
Weston 1 George Weston 25 November 2018 How Boccioni and Giacometti portray Motion in their Sculpture to convey Opposite Philosophies. Both Umberto Boccioni and Alberto Giacometti used bronze figurative sculpture to react to their experience of contemporary living. Boccioni’s Unique Forms of Continuity in Space, from 1913, utilizes a sense of dynamism to positively comment on the speed of modernised life and the potential that technology bestows on modern society. I found some interesting simila
How Boccioni and Giacometti portray Motion in their Sculpture to convey Opposite Philosophies
George Weston How Boccioni and Giacometti portray Motion in their Sculpture to convey Opposite Philosophies
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Concept/Idea sketchbook KIM. SEOYOUNG
concept art
SeoYoung Kim concept art
FINAL PROJECT DOCUMENTATI ON CARISSA WAYNERT Colouring Wall
Colouring Wall Process Book
Carissa Waynert Colouring Wall Process Book
           MONSOON  Chapter one  By River Kero                      River Griffin Kero riverkero@gmail.com 
monsoon script.pdf
River Kero monsoon script.pdf
        PUBERTY 2.0  By  River Kero  First Draft                     River kero riverkero@gmail.com   
FINAL COPY Puberty 2.0.pdf
River Kero FINAL COPY Puberty 2.0.pdf
Machu Pichu (and how I lied) River I broke my camera on the eighth day when I was in Peru. It said it was waterproof on the box, and it had been waterproof six years ago when we’d taken photos in my grandmother’s pool, but I guess the casing didn’t enjoy the grit that was in the cayman and ray-infested Amazonian rivers. All of the photos it took after being dunked in the river were purple with yellow stripes. For the rest of the trip, I drew what I saw, and I have a sketchbook filled with illust
Machu Pichu (and how I lied).docx
River Kero Machu Pichu (and how I lied).docx
The Cockatrice’s Dinner Femme fatale, Vivienne Clade, discovers that her fiance has been unfaithful to her. Rather than simply leave him, she has another idea in mind.
The Cockatrice's Dinner.pdf
River Kero The Cockatrice's Dinner.pdf
River Kero My grandmother always told me not to stare at the shapes in the hills. I see them during the day. At night, they come towards the village. They stretch over the aching and arching hills, reaching their fingers for us. They are dark, so dark compared to the dusty hills beside them. They peek out from behind the ridges, just a glimpse, then they are gone. They have no form, only mass. They have an edge, but you cannot see it. If you see them linger, you have to look away. If they see y
The Shapes in the Hills.docx
River Kero The Shapes in the Hills.docx
The Legend Of Guayas and QuilA story of sacrifice for one’s people and landBy Nastenka Alava
The Legend of Guayas and Quil
Nastenkita Alava The Legend of Guayas and Quil
Small Business Resources.pdf
Artswork Resources Small Business Resources.pdf
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